Inspired by 'The Revenant' - SONY FS5 Sample Footage - YouTube
The Revenant review – a walk on the wild side | The Revenant | The Guardian
Did "The Revenant" Make Lights Obsolete? - Videomaker
The Kit Room | Lenses | Cine Lenses | Laowa 12mm T2.9 Zero-D Cine - PL Mount
Emmanuel Lubezki Is Using the ALEXA 65 on His Next Project, Iñárritu's 'The Revenant'
GET SHOTS LIKE EMMANUEL LUBEZKI // THE REVENANT // SIGMA 14mm 1.8 - YouTube
Light Fantastic - The Making of The Revenant
Mr. Cinematography - "The Revenant" (2015) Cinematography by Emmanuel Lubezki (@chivexp) . Camera & Lens: ARRI Rental ALEXA 65, Prime 65 Lenses (some scenes) Arri Alexa XT M, Leica Summilux-C and Zeiss
The Revenant: Shooting In the Elements - Society of Camera Operators
Thorsten Overgaard's Leica Photography Pages - Leica Summilux-C and Leica Summicron-C Cine Lenses for Moviemaking
The Revenant—A Feature Film Shot With Almost Entirely Natural Light – DigitalRev
Table Talk: The Revenant (2015) — 3 Brothers Film
Episode 238: The Revenant « The MacGuffin Men
ALEXA XT and ALEXA 65 on "The Revenant"
The Revenant' Cinematographer Emmanuel Lubezki Used Natural Light - Variety
Anyone know how to achieve these really long lens flares? I've always loved the look but never figured out how to do it myself : r/videography
Shooting Wide: The World in a Single Frame | SIGMA Blog
The Revenant': nature will totally kill you – Pop Mythology
Shooting Wide: The World in a Single Frame | SIGMA Blog
Shooting Wide: The World in a Single Frame | SIGMA Blog
Cine lenses – Magic Shop | Lenses & Camera Rental
A Look at the ARRI/Zeiss Master and Ultra Prime Lenses
Wrap Shot: The Revenant - The American Society of Cinematographers (en-US)
The Revenant: Shooting In the Elements - Society of Camera Operators
Emmanuel Lubezki AMC ASC / The Revenant - British Cinematographer
The Revenant: Shooting In the Elements - Society of Camera Operators
Godzilla vs. Kong was Shot on ALEXA 65 With Prime DNA Lenses: Exclusive BTS Revealed - YMCinema - News & Insights on Digital Cinema
